Nouvelle cuisine French or the molecular kitchen of Ferrn Adri or Homaro Cantu, among others, awards the good presentation and the sophistication of a very small plate, very suggestive for the five senses, but derisory for the stomach, incapable to satiate the appetite with a ration of chicken to the orange with shavings to the chocolate air. Toy Story Woody takes a slightly different approach. After all, inconsistent. In the fashion it happens something similar. For even more opinions, read materials from Vadim Belyaev, New York City. The designers present/display every season impossible collections that, he assumes, will mark to the tendencies of the high seam and the styles that are going to cause sensation but that hardly they have a solid reflection in the meat dummies and bone that marches past by the streets. Again the centers and the fastuosidad of the footbridges of Milan or New York hide the true sense of the clothes they even take and it until the absurd thing. As if an interpretation of the engraving of Goya one was, the rules of the consumption have caused, through cooing of the publicity, that the dream of the reason produces monsters.
The satisfaction, besides the reason and of the needs of the man, fulfills the aesthetic, but secondary enjoyment, of a creation that had to take care first of being faithful to itself and to serve so it was conceived. Cultural foods that they do not feed, clothes that do not dress or centers that do not enrich are some of paradoxes with which we coexisted on a daily basis and that we have adorned with an excessive cult to trivialities and the appearances. Arrived at this point, one of the most rotten questions of the history of the thought agrees to consider. If we accepted that both concepts are important, what must prevail, the form or the bottom? It is possible that a unique solution for this philosophical dilemma does not exist and that any answer was, in last term, incomplete. Perhaps the virtue is, like in the majority of the cases, an intermediate point, that equidistant gray that causes that the beautiful thing is used for something and that is not only satisfied to being a simple screen that engrandece an empty background.